SECTION TWO:
Continuity editing was created by D W Griffith, he created 180 degree rule. Griffith was American which showed competition to any other pioneers. Eisenstein was a Russian pioneer that came up with the montage theory. He would take apart films and edit them to show a different style and outcome. Then along came Alfred Hitchcock who in the film Psycho combined montage and continuity together in the famous shower scene. Between the Russians and the Americans it was a competition to be the best film makers. Due to film being created by the Lumiers Brothers who were French, Hitchcock move to use montage and continuity together fused anger to the french, so the French pioneer Jean Luc Goddard decided to create a film called Breathless which would have no flow of continuity due to the use jump cuts. Goddard done this to break the rules of film created by Griffith and Eisenstein. Nowadays modern day film makers are influential of the original pioneers. Continuity vs Montage: Continuity was invented by D.W Griffts through trial and error, this is the use of series of shots to tell a story so its more entertaining. Continuity also absorbed montage as later on it uses montage to show the passage through time or to add an artistic touch to their works, continuity only took the editing styles but left the politics part of montage .It was developed by an American and therefore belongs to America. While Montage on the other hand is a series of shots that is been used to tell a story but it makes the viewers think which means that the directors deliberately make their editing seamless so the viewers actually notice the editing or put two shots of different contrast to tell a story. The 5 types of Montage are: Metric Montage: This was cutting to the beat of the music been played. Rhythmic: Cutting according to a particular rhythm. Over Tonal: using large sequence of shots to state the theme. Tonal:Using contrast to comparison to the style or type of shots. Intellectual montage: using ideological concepts in other to make the view think. Montage been the complete opposite of continuity creates discontinuity to actually let the viewers know that something is defiantly not right. Goddard and the start of the new French wave: The French where the original owners of cinema until the Us and the USSR became more dominant and this was around the 1960 where everyone wanted change and so did the media industry and so did the French so they stood to literally oppose continuity and break all its rule, them make film for an artistic purpose and the man who led this new reign was Goddard. He directed and produced breathless which during editing purposely used jump cuts and broke the 180 degree rule which actually make the viewers think as they are seeing something different, Goddard is one of the leaders of the French new wave. He realised his first film in 1955 then went on to release Breathless which he was widely recognised for in 1960, breathless carried a lot of different things and techniques he had added something special to his film which was his artistic style which was literally set to oppose continuity as it broke almost all the rules of continuity if not all. He was the inventor of trailers.
Tarantino VS Nolan